|"I just want to talk to you for a minute |
about your obsession with 20th century
Saturday, August 22, 2015
Tuesday, August 4, 2015
|"Don't worry, Beautiful. |
He's not talking about us."
I’m so claustrophobic that a half-full metro car can rattle my jimmies. So when a sudden apocalyptic thunderstorm forced me, my family and 3,000 other tourists to seek shelter in the lobby of the Tavern on the Green restaurant in Central Park, I freaked out.
As people jammed into the Tavern, the mob grew into a frothing sea of wild-eyed tourists that carried us deeper into the bowels of this over-priced tourist trap. Suddenly, a wave of Midwesterners crashed into us from the right, ripping Karlyn from my grasp. As I watched my daughter being swept away by a riptide of obese Iowans—her blond head bobbing up and down in a sea of “I Heart NY” t-shirts and Styrofoam Statue of Liberty crowns—I panicked.
Acting on pure lizard-brain survival impulses, I zipped around to make a dash for the exit. Unfortunately, in my blind panic I didn’t see the rather short, kind of cute, full-figured woman behind me, or her two crutches which I proceeded to knock out from under her.
I knew that if she fell, she would be trampled by the mob, so I instinctively grabbed her and held her upright. Unfortunately, all I could grab in that mob scene were her breasts. True story. Here I was, holding up a complete stranger by her Playtex Cross Your Heart bra—in full lift-and-separate mode—staring directly into her eyes which were ablaze with shock, anger and … well, I’m not quite what that other emotion was, but it was about as far from “happy” as an emotion can be.
There’s a reason we Americans are so protective of our personal space. That invisible force field that keeps us an appropriate distance from each other also keeps terrible, horrible, awful things like that from happening.
But social media is tearing down the personal space between us, stripping away the social constructs that have kept us lifted and separated from each other for most of the last 100 years. Social media has drawn us all into the crowded lobby of the Internet, scrunching us so closely against each other that our every flaw is exposed and shared with the world.
The impact of this new candid camaraderie has been most profound on the glitterati. The “experts” and “leaders” and “stars” of the 20th century whom we trusted, obeyed, and adored have been stripped of their magic by the Internet which showed us that, in a lot of ways, even the most magnificent among us really are just frightened little men and women pulling levers behind a curtain.
But there is a lot that is troubling about this new reality for those of us in the Bandwidth Generation who took some comfort in having our stars so far out of our reach. We didn’t want our heroes to be human; we wanted them to be flawless models we could emulate.
And even though we knew we weren’t ever going to play in the big leagues or kiss Demi Moore on the silver screen, we worked hard to get as close to our dreams as possible. We perfected our game, hid our flaws, and presented idealized versions of ourselves to the world.
And now, after all that work, artificial perfection has been trumped by unscripted authenticity. It seems that Millennials--the 80 million people between the ages of 18 and 35 who are taking over the world--really do prefer red-pill reality over blue-pill perfection. Consider this: last week, Hillary Clinton's campaign launched a $2 million TV ad campaign that features a scripted, edited, and damn-near perfect 60-second commercial in which the presumptive nominee waxes nostalgic about her mom. It's gotten 80,000 views.
Meanwhile, a video of late-night talk show host Jimmy Kimmel tearing up over the death of Cecil the lion, which came out the same day as Hillary's ad, has nearly eight million views--one hundred times more than Hillary's polished ter ... ribute to her mom.
If it isn't already abundantly clear, let me spell it out for you: it’s time to loosen the tie, unclench the fake smile and start being real. Here are seven simple things you can do right now to get back the authenticity you spent your entire career trying to hide:
1. Praise others. (Extra points if you praise your competitor.)
2. Apologize when you screw up. Immediately. Sincerely. And as publicly as necessary.
3. Say “I don’t know” when you don’t know. And promise to follow up when you do.
4. Be grateful. It will change your life.
5. Give credit. No one can make a pencil without help. Credit those who helped.
6. Don’t boast. Yes, it’s important to tell your story, but try not to use your Trump voice. It’s very annoying.
7. Be nice and mind your manners.
Monday, July 20, 2015
|"Sure we're a unique demographic...for 1981. |
But we'll be busting out big time in 2015!"
Back when we would willingly sit through seven-and-a-half minutes of commercials to watch 22-and-a-half minutes of Bosom Buddies, corporations spent literally billions of dollars on advertising to convince us to trust their brands.
Brand-building was strictly the purview of corporate America because it was prohibitively expensive. In order to reach lil ol’ you, advertisers had to blast their messages repeatedly to one of the demographic groups you belonged to. Target demographics, as defined by Madison Avenue, were massive chunks of the US population awkwardly grouped in the tens of millions by a handful of characteristics like gender, age, income, race, and geography.
It took a lot of money to make an impression on such enormous clusters of society. But there was no alternative. You needed clear and compelling communication in order to effectively build your brand. Today the opposite is true. Literally. You need a clear and compelling brand in order to communicate effectively.
You see, social media has splintered the 20th century demographic model into untold millions of self-selected communities. These online communities have come together organically based on common values, experiences, and interests. And communication within these communities is generally restricted to people they trust … others in their communities. Outsiders simply haven’t earned their trust.
So if you—an outsider—want to communicate with them, you need to first present a clear brand that shows you share their values, experiences or interests.
The good news is that it’s a lot easier and cheaper build a trusted brand than ever before. Social media has turned us all into Mad Men, giving us powerful production and distribution tools we need to create and manage our brands.
The bad news is that many people—particularly those who have built successful pre-Internet careers without giving a second though to building a brand—are intimidated by the prospect of having to take responsibility for their own brand.
But unless you’re planning to retire in the next year or two, brand building is in your future. If you’re ready and willing to learn more, we’re ready and willing to answer your questions … for free! Just click here and we’ll get things started.
Tuesday, June 23, 2015
|"We waited three years ... for THIS??"|
Like HAL 9000 from Kubrick’s masterpiece 2001: A Space Odyssey, Kodak—the once undisputed leader in its field—is now singing “Daisy Bell” to an increasingly hostile audience.
Case in point: When Kodak unveiled its first smartphone last January at CES 2015, analysts expected the long-awaited phone to go on sale in late March, likely in the United Kingdom. Instead, Kodak missed the deadline by two months, opted for the Netherlands over the UK, and gave their phone the same name as the Perez-Hilton manufactured boy band that was unleashed on the public shortly after Kodak filed for bankruptcy protection back in 2012.
Not that anyone noticed. Kodak’s big announcement would have been the proverbial one-hand-clapping were it not for intrepid reporting by PhoneArena.com and the Ecumenical News.
And not that anyone cared. The reviews from Kodak’s big reveal back in January were the tech-community equivalent of, “Aww, Kodak! Let’s just scotch tape that to the refrigerator door so everyone can see it.” TechRadar.com labeled it nothing special. And the Verge warned: “This is the first Kodak phone, and it’s probably not for you.”
We know this mighty has fallen. The question is how? The smart money’s on their mission statement.
Before Kodak started Chapter 11 of their tragic history, their mission statement was a 110-word board-room war cry that spoke of “a world-class, results-oriented, diverse culture based on our six key values” that offered their “customers and consumers differentiated, cost-effective solutions” in pursuit of their “fundamental objective … Increased Global Market Share and Superior Financial Performance.” [Caps theirs.]
By contrast, Instagram—which became the new first-name in photography when Facebook acquired the company for $1 billion in cash and stock just two months after Kodak signed their articles of surrender—doesn’t have a mission statement. It has a quest: “To give all users a view of the world as it happens.” And it seems to be working for them. RBC Capital recently reported that Instagram could generate more than $2 billion in ad revenue next year.
The jarring contrast between Kodak’s mission and Instagram’s quest is a cautionary tale for those organizations still clutching to the “What’s good for GM” mentality of the 20th century.
To be successful in the Interactive Age, you need to have a connection with your audience or your customers (or your “customers and consumers” if you’re not into that whole brevity thing) well before you try to sell them your product or service. Simon Sineck demonstrates this quite beautifully in his TED Talk.
And the most meaningful connections begin with a shared quest. Unlike a mission—which is a directive from an external source that’s nailed to the break room wall right above the coffee maker—a quest is driven by a passion that comes from within to achieve a purpose that you hold dear. By publicly declaring your quest, you will find and attract entire online communities who share your goals, and your passion. And who will rally with you in pursuit of your shared quest.
And that’s when your successful journey really begins.
Saturday, May 23, 2015
Friday, May 15, 2015
|"Tell me more about how much you|
like my ring tone."
I had already dropped three quarters into the meter before I saw the flashing message: “No parking. Construction only. You will be towed. January 2, 2007.”
It had taken me 40 minutes to find that spot. There was no construction nearby. And I was pretty damned sure that it was 2015. That is until I heard the theme song from “The Little Rascals” coming from the suit pocket of the guy sitting at the café I was parked in front of. At that point, boiling over with rage at this effed-up city and temporally unhinged from the anachronistic no-parking notice, you might have convinced me that it was 1969 and I was sitting in the big red chair in my mom’s living room, playing hooky and watching The Little Rascals.
The guy let the song play out its natural break before he answered (wouldn’t you?), staring at me with that “dig me” look that this town is known for. Rather than irritate me, the guy’s ring-tone home-run trot actually reminded me of a very important lesson about successful communication that I’d been meaning to talk to you about.
On October 24, 1936, Hal Roach released “Pay as You Exit,” The Little Rascals 148th and arguably most important short comedy film. You see, the 74-year-old “Pay as You Exit” short actually holds the secret to successful communication in the 21st century—it is better to give THEN receive.
The plot of the show is simple: in order to attract an audience to their production of Romeo and Juliette, Alfalfa invites everyone to see the show for free and tells them to pay as they exit only if they enjoyed the performance.
And it is precisely that simple formula that is separating the communication winners from the losers on the Internet. Organizations that freely give away their best material are attracting people who are interested in their key issues—some of whom would be willing to pay for a deeper dive in the info pool.
Those who are still hoarding their cache of information in hopes of attracting pay-to-play customers are becoming increasingly irrelevant in a world where knowledge is free. Sure, your organization may be the uncontested champion of the arcane details of your “highly specialized” field, but if you are hiding that info behind membership dues, outrageous download fees, or other monetary considerations, you won’t be the champ for long. People will find a free way around you.
You will fare much better giving away as much information as you can, attracting those interested in your topic to your helpful, free platform, and developing a reputation as the go-to resource on your given issue. If you’re content is as good as you think it is, you’ll have plenty of people paying as they exit … and even more when they tell their friends about your amazing website.
A little known fact: The actual title to the Little Rascals’ theme song is “Good Old Days,” which presumably referred to a simpler pre-20th century era—a time before people viewed information solely as a commodity. Back in the 20th century, nobody gave away information. (You think Hal Roach let his audience “pay as they exit”?) So when we start giving away our content, we are not marching forward into some brave new world. We’re actually returning to a much more natural way of communicating with people.
Tuesday, March 3, 2015
|"And don't forget to look both ways before |
you cross the ... oh, to hell with it."
The Montgomery County, MD parents who were accused of child neglect for letting their 10-year-old son and six-year-old daughter walk home from a park unchaperoned were found responsible for “unsubstantiated child neglect” by the county’s Child Protective Services.
Can you imagine what the charges would be if those parents let their kids chase the mosquito man truck down middle of the street in a blinding fog of DDT ... like our parents did?